Contency

How it works

One studio, from briefing to publication.

First the pieces: the studio you work in and the writers that draft for you. Then how a post comes together — from the first briefing to a published, translated post.

01

The studio

Write in a place built for writing.

The studio is the desk-side environment where the post actually gets made. The editor is the centrepiece — not a structure builder dressed up as one, not a settings panel pretending to be a page.

Strong typography, structured blocks, drafts and revisions. Media is first-class and lives next to the text, not behind a modal. The AI is available throughout but never on autopilot: suggestions, completions, and rewrites are offered, never applied without you.

What you write in the studio is what gets published. There is no theme layer mangling it, no template hell, no surprise on a Tuesday morning when a plugin update removes a paragraph.

The Contency editor with a post about waterfalls: title, body text, and a nature photo on the left, a details panel with excerpt, hero image, and meta fields on the right.
The editor is the centrepiece. The details panel on the right keeps up.
02

The writers

A team, not a tool.

Contency comes with a team of writers, each specialised in a domain. Pick the one that fits the post — a nature writer for a trail report, a technical writer for a sailing piece, a food writer for a recipe. They draft from your context, not from a blank prompt.

You can also train your own. Training is a conversation: the studio asks what the writer needs to know — your voice, your audience, the things you care about getting right. Upload reference posts, style guides, source documents, whatever shapes the writing you want. The writer learns from what you give it.

Every writer is also trained for discoverability — for search engines and for the AI answer engines where readers increasingly start. You don't have to think about it separately; it's built into how the writer works.

The result is a specialist that writes the way you would, if you had the time.

Training a new writer in the studio — a short conversation about your material, with the proposed writer configuration ready to save on the right.
Training is a conversation. The proposal builds itself on the right.
03

The briefing

Every post starts with a conversation.

A trained writer knows how you write. What it doesn't yet know is what this post is about. So every post starts with a briefing: a short interview where you say what happened and what the story should become.

The studio asks follow-ups — the occasion, what has to be in it, the tone, who it's for. You hand over the material: a dossier from a notebook, loose photos, a few sentences, a voice note. The writer brings the craft; you bring the experience. The more you share of what you saw, heard, and felt, the more personal the story comes back.

The conversation up front is where the post takes shape.

A briefing in the studio: on the left, an interview between you and the writer; on the right, the photos you've supplied for the post.
The briefing is a conversation. On the right are the images you hand over.
04

From briefing to draft

The writer delivers a complete first version.

Once the briefing is set, the writer gets to work. Everything you supplied is read in, and every image is analysed on the way — vision-based, not metadata-based. The studio knows it's a stone harbour, a low golden-hour light, a Frisian skûtsje on the IJsselmeer.

The writer seeing what's in a photo is exactly what makes a draft complete: the image lands in the right place in the story, with a caption that matches what's happening and alt text that isn't a paraphrase of the filename. You don't get bare text to arrange yourself, but a real first version — words and images already in place.

  • Search your library by what is actually in the picture.
  • Images are placed where they belong in the story, not dumped at the end.
  • Captions and alt text are proposed from what the photo actually shows.
  • Surface forgotten photos when you start writing about a place again.

A small example

“Find the photos from the September trip with the harbour at sunset.”

No tags to remember. No folders to scan. The library understood the photos when they arrived, and the writer references them by what they actually are.

The Contency media library — a grid of nature photographs with a photo-details panel on the right showing tags, classification, and AI analysis.
Every image is analysed on upload. The right panel writes itself.
05

Editing

You edit, the AI helps — never the other way around.

The draft is a starting point, not an endpoint. In the editor you rewrite, reorder, and cut until it's right; the AI stands by for suggestions, completions, and rewrites, but applies nothing without you.

You work at the sentence level or across the whole post — tighten a paragraph, reword a heading, trim a passage. The writer knows the context from the briefing, so the help stays inside the story you have in mind.

What's in the studio is what gets published. No surprise between what you wrote and what goes live.

The editor with a selected passage on the left and the AI editor panel on the right, where you give the AI an instruction to rewrite the selection.
Select a passage, ask the AI to rewrite it — you decide whether it lands.
06

Publication

Publish to the site you already have.

Contency is the writing layer; the destination is whatever you already use. For a static site, a publication is a clean bundle that drops into your build — ready for git, ready for Vercel, ready for the deploy you already trust.

The studio drives the writing, the media, and the AI; the CMS receives the publication. You don't have to leave the stack you already have to get a better blog out of it.

Contency doesn't own your URL, your domain, or your readers. The publication is the artifact; what happens after is yours.

07

Translation

One post, in any language you need.

Once the post reads the way you want in your own language, you can have it translated. The writer renders the finished post into English — or another language — with the images, captions, and structure intact.

A translation isn't a dead end: you edit it just like the original, adjust where the tone should sit a little differently, and publish it when it's right.

Start in the language you know best. The others follow once the original holds.

The same post, now in another language: the editor shows the translated text and photo, with the details panel and meta fields translated too.
The same post, translated — image and structure intact.

One more thing

Some posts begin away from the desk.

For travel writing, sailing, cooking, field reporting — the material arrives from wherever you were when it happened, not from your keyboard. Contency uses notebooks for those flows: domain-specific capture apps that publish into the studio as structured dossiers, so nothing is reconstructed at the desk.

Read about notebooks

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